poetry korean movie ending explanation

The teacher begins to read Mi-ja's poem to the class. Though Mi-ja occasionally speaks to her daughter on the phone, she does not mention the situation. When director Lee Chang-dong heard about the incident, it made an impact on him, although he hadn't been interested in basing a film on the actual events. Mija's grandson is a sullen lout, a layabout with worthless friends.

Aware of her diagnosis, we look for signs of memory loss, but she remembers, all right. The movie opens on a river scene with children playing on the bank. "[5] Prior to Poetry, the last film Yoon appeared in was Manmubang ("Two Flags") from 1994. It is very difficult to be sure what she is thinking, and this kind of film is more absorbing than those with characters who wear their emotions on their sleeve. [22] At the 47th Grand Bell Awards, Poetry won the prizes for Best Picture, Best Screenplay, Best Actress and Best Supporting Actor. There is a scene here that is heart-rending. Beware of spoilers. Lee suggests that the knowledge of this in some sense accelerates her dementia, but also that she feels a secret kinship with the dead girl. But Lee doesn't make exploitation films, and he doesn't find conventional answers. Mi-ja begins attending a local weekly poetry reading. Agnes turns to the camera, half-smiling, leaving Mi-ja's fate on an ambiguous note. [11], The international premiere took place at the 2010 Cannes Film Festival, where Poetry was screened on May 19 as part of the main competition. Jin-tae was the one responsible for the damage but Do-joon ends up getting the blame. She is told one day that he has been implicated with five other boys in the rape of a young woman. Though annoyed that she still hasn't contributed her sum, the fathers are overjoyed that Agnes' mother has agreed to settle, despite Mi-ja's failure to confront her. She still attends class. Finally, she remembers that she was meant to confront the woman about the settlement, but is too embarrassed and continues to leave. Yoon Jeong-hee stars in the leading role, which was her first role in a film since 1994. "[4], Lee wrote the lead character specifically for Yoon Jeong-hee, a major star of Korean cinema from the 1960s and 1970s. One night, a drunk Do-joon follows a high school named Ah-jung into an abandoned building. Before the facility of language deserts her utterly, Mija wishes to write a single poem. On first seeing it, I felt it might be better if it had been just about this. By Chris Agar Feb 23, 2016.

When Mi-ja notices a poster advertising a poetry class at a local community center, she decides to enroll. The two have a pleasant exchange before Mi-ja turns and begins to walk away. released Poetry in 194 South Korean theaters with a gross revenue corresponding to around US$258,000 during the first weekend. Beware of spoilers. That night, the crude policeman from the weekly poetry readings appears with his partner to take Wook away. Yoon Jeong-hee stars in the leading role, which was her first role in a film since 1994. Mi-ja speaks in voiceover, though the voice of Agnes herself takes over midway through, following Agnes from the science lab, where she was raped, to the bus, to the bridge where she is to jump. Poetry (Korean: 시; Hanja: 詩; RR: Si) is a 2010 South Korean drama film written and directed by Lee Chang-dong. He asks them if they have ever really looked at an apple. Maybe Poetry would have worked well enough if it had simply been about an … In “Poetry,” which won best screenplay honors last year at Cannes, we have a movie that is outwardly more calm. Her daughter returns to an empty home, and calls Mi-ja's phone, but receives no answer. A few days later, Mi-ja returns to the fathers to admit that she still cannot pay her portion of the settlement. Comment. The fathers of the other boys meet with Mija and explain they're getting up a fund to pay off the dead girl's mother. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. The program was edited entirely from relaxing shots of nature, "a peaceful river, birds flying, fishermen on the sea – with soft new-age music in the background," and a vision for a possible feature film started to form. "Suddenly, it reminded me of that horrible incident, and the word 'poetry' and the image of a 60-year old woman came up in my mind. [25] The award was eventually shared by Yoon and Soo Ae, for her performance in Midnight FM. Mi-ja, who cannot afford her 5 million won portion of the payment, is pressured to ask her daughter (Wook's mother) for the money. Though Mi-ja lives on government welfare, she has a small job taking care of a well-to-do elderly man who has had a stroke. But it is more complicated than that: the discovery of a dead teenage girl, floating in the river, turns out to be connected with her, and poor Mija, at the end of a blameless life, must shoulder a terrible new burden of horror and disgrace. She continues with her life. This post includes a brief plot summary and an explanation about the ending of the film Be With You / Jigeum Mannareo Gabmida (2018). The fathers fear retribution for their boys, and the school fears a scandal that will tarnish its reputation. "[16] "Given the abundant potential for missteps into sappiness with this sort of premise," Justin Chang wrote in Variety, "what's notable here is the lack of sentimentality in Lee's approach. The course assignment is to write one poem by the end of the month-long course. "[5], On May 13, 2010, N.E.W. Mija (Yun Jung-hee) lives in a South Korean city, where she looks after her grandson, Jongwook (Lee Da-wit), and is a care-giver for an old man who is half-paralyzed by a stroke. Mija was once a beauty, and still praised for being "pretty" and "chic", extravagant compliments which embarrass her greatly. The police arrests them. If it could be reduced to anything as prosaic as a formula, this mysterious and beautiful film from Korean director Lee Chang-dong might be expressed as Ozu plus … what? When she does, she appears emotionless. She deals with this in her own way, which I will not specify, except by saying that she begins to really look.

[24] The jury of the 31st Blue Dragon Film Awards decided to exclude Poetry from the selection, since Lee had announced that he would boycott the ceremony.

She walks down to the riverbank and sits, writing poetry until it begins raining.

Wondering if this is Mi-ja's attempt at extortion, he pays her. It is such a perfect fruit. The idea for the film had its origin in a real-life case where a small town schoolgirl had been raped by a gang of teenage boys. That film also approached extreme cruelty with outward composure. That was the young woman in the river.

They track him at the golf course.

Real is a misunderstood movie. Directed by Lee Jang-hoon, the 2018 South Korean fantasy drama is based on the 2003 novel with the same name written by Takuji Ichikawa. Allow us to break it down. 0. It is difficult to be sure what effect this news has. Initially not finding her at home, Mi-ja eventually comes across her working in the field. Her diary was discovered, though only four members of the school's faculty are aware of the situation. She is a small, unremarkable woman, cheerfully dressed, quiet, getting things done. Something in this terrible news inspires Mija to join a community education class, to learn poetry. It floats closer on the current. Maybe it's as simple as that. When Mi-ja is diagnosed with early stage Alzheimer's disease, she again neglects to tell anyone. When she was the victim's age, her teachers told her she had the soul of a poet. Chang continued by noting how Lee's background as a novelist sometimes shows through, and that "[t]here are longueurs here... that could be trimmed, though overall this absorbing film feels considerably shorter than its 139 minutes. Mija is made to feel she must raise the money as a duty to her son. It tells the story of a suburban woman in her 60s who begins to develop an interest in poetry while struggling with Alzheimer's disease and her irresponsible grandson.

At the centre of the action is Yun Jung-hie, who plays sixtysomething grandma Mija, living in the sticks and getting by with a nursing job; she looks after her troubled teen grandson who lives with her in a modest apartment. Mi-ja does not protest. Dripping wet, she returns to elderly man, agreeing to have sex with him. There is perhaps something in the river. In order to avert a full police investigation, the parents of the boys offer to pay a settlement of 30 million won to the widowed mother, a poor farmer.

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