cape verdean dance pasada
Vieira won the contest and a chance to record her first album, Nôs Raça (Our People), in 1996. Social cohesion will also be strengthened, leading to the development of new forms of cooperation between musical groups, researchers and public and private institutions. Although it belongs to all of us, because Morna is the greatest expression of the Cape Verdean soul, I congratulate Abraão Vicente Stephanie Duarte Vicente and the whole team who, in a committed way, worked so that the dream could be realized. The infectious rhythms are light and breezy. Aside from Évora, popular morna musicians include Ildo Lobo, Titina, Celina Pereira, Bana, Djosinha, B. Leza, Travadinha, Sãozinha, Maria Alice, Carmen Souza and Gardénia Benros. And, like other Lusophone (Portuguese language) music, it’s filled with both joy and saudade. What makes all Cape Verdean music unique is its spirit of morabeza, a Cape Verdean approach to life that I find akin to the Hawaiian concept of aloha. It is a more light-hearted and humorous genre, with sensual rhythms. THE MAESTRO from Brooklyn and of the Netherlands Nelson Freitas. A reason for all of us to be very proud. The Cape Verdean Zouks are typically sung in Cape Verdean creole, it is often mistaken for the Angolan kizomba. Vieira’s father became Minister of Transport and Communication in the newly-independent island chain, but was also an amateur musician, playing guitar and violin. The sailors brought with them African slaves, and the islands' population became mixed with elements of both races. In the 1930s, Morna evolved in a swifter form of music called coladeira. Originally a woman's folk music, batuque is an improvised music with strong satirical or critical lyrics. Cape Verdean singer Cesária Évora (1941–2011) was one of … Most of the songs are written in Portuguese/creole. Somebody heard her humming along to one of the songs and prodded her to enter the contest as well. What makes all Cape Verdean music unique is its spirit of morabeza, a Cape Verdean approach to life that I find akin to the Hawaiian concept of aloha. Singers and musicians includes Nancy Vieira, the band Simentera, Mité Costa, Bana, Manecas Matos, Cabral & Cabo Verde Show, Ildo Lobo, Djalunga, Paulino Vieira, Dudú Araújo, Beto Dias and Suzanna Lubrano. Hip hop is also a growing trend in Cape Verdean music both inside Cape Verde and those abroad. Hey! Later, the new generation who grew up in Cape Verde featured a slow mixed version of electric pop music with Cape Verdean music styles, a light Compas called "Cabo Love" or "Cabo Zouk". Morna also spread to São Vicente, and composers like B. Leza and Manuel de Novas became popular. Colá is a form of music from Cape Verde. Eugénio Tavares was an influential songwriter of the period, and his songs are still extensively performed. But there is so much more music to discover in Cape Verde. This was by Cape Verde’s Minister of Culture, Abraão Vicente, on 7 November: Dear Cape Verdeans, I have the good fortune, honour and privilege to inform you that today UNESCO’s technical committee of experts has approved Morna’s World Heritage dossier…The nation can celebrate now: Morna is already World Heritage. Batuque is also popular in Cape Verde. It’s also variously spelled as “sodad” or “sodade.” The late Cesária Évora, Cape Verde’s “barefoot diva,” scored a landslide hit with her song “Sodade” from the 1994 album Miss Perfumado. Cape Verde’s official UNESCO application says: Morna is a performative genre from Cape Verde that combines voice, music, poetry and dance. Usually sung by a single person, it is accompanied by acoustic instruments, especially the guitar. Solo vocalists are accompanied by a guitar, violin, bass guitar) and a piano. 2000. (By the way, B. Leza is a great name since “beleza” means beauty in English.) Évora was a native of Mindelo, and the city is considered the cultural capital of Cape Verde. The decision should be formally adopted by UNESCO in December at a ceremony in Colombia. Cape Verde’s Cultural Heritage Institute on Facebook: The adoption of Morna, by the UNESCO Commission, will increase people’s awareness of the importance of Cape Verdean culture and, especially, of Cape Verdean Creole, increasing the self-esteem and pride of the people of the islands about their different cultural expressions. I want to sing Cabo Verdean musical genres – such as morna and coladera – pretty much anywhere in the world, and I want to succeed because of my own talent.”. A few months back I featured a bright new Cape Verdean singer named Elida Almeida. This light Compas has become popular in Portuguese speaking countries of Africa, Brazil, and the rest of the world. Long live our rich traditions! Funaná, Coladeira, Batuque and Cabo love are other musical forms. Performers include Codé di Dona, Manuel de Novas, Frank Cavaquim, Djosa Marques and Os Tubarões. As a result, there are now more Cape Verdeans abroad than at home, and sizable communities exist in New England, Portugal, Wales, Senegal, Italy, France and the Netherlands. ), which like most music from Cape Verde, is on José da Silva’s Lusafrica label. In the 1980s, the cape verdean diaspora living in Europe and North America have influenced the traditional "Coladeira" with Compas / Kompa to create a version of Zouk called Cola-zouk, a similar Compas (Kompa) fusion to the French Antillean's Zouk" or "Zouk Love". Therefore, the music, in Cape Verde, is considered to be creolophone and not lusophone. For Manuel Viega, a commentator and journalist, Morna was already part of World Heritage even before the current announcement: MORNA, BEFORE THE RECOGNITION OF UNESCO, …WAS FOR US ALREADY HERITAGE OF HUMANITY…. I love Cape Verdean music, with its beautiful blend of Brazilian, Portuguese (fado) and West African styles. There is no exact equivalent word in English. From 2001-2011, Cape Verdeans and Capeverdeans abroad were awarded the KORA Awards, and only two singers were ever awarded including Cesária Évora and Suzanna Lubrano. Lyrics are usually in Creole, and reflect highly-variable themes, including love and lust, patriotism and mourning. The title of Lucibel’s new Lusafrica album called Laço Umbilical (umbilical cord) refers to her ties to the land and perhaps to the musical legacy left by Évora’s passing in 2011. Other artists include Johnny Rodrigues, an immigrant to the Netherlands, he was the first Cape Verdean artist to have his single reaching number one in another country, it was a hit in both the Netherlands and Belgium's Flanders. Then there are the batuque and funana dance music genres, the latter an African style that was banned as licentious by the Portuguese colonial rulers until independence finally came in 1975. "Music of Sweet Sorrow". Nancy Vieira was born in the former Portuguese nation of Guinea-Bissau in 1975, the year of Cape Verdean independence. My aim is to carry on the work Cesária began. After her mother died, a teenage Lucibela began singing Cesária Évora covers in the bars and hotels around Mindelo, a port city on the island of São Vicente, to earn a living. Since independence, however, bands like Bulimundo adapted the music for pop audiences and Finaçon, who combined funaná and coladeira into a fusion called funacola. Máximo, Susana and David Peterson. Cape Verde is an island archipelago that was uninhabited until the Portuguese arrived in 1462. We can’t do it without you. Morna, traditional music and dance from Cape Verde, was approved by UNESCO as an Intangible Cultural Heritage of Humanity. The Old City was declared a World Heritage Site in 2009, largely because Cape Verde was the cradle of Morna, Creole and our Creole. It’s the same label that brought us Cesária Évora and so many other top Cape Verdean stars. Most of the symphonies have African elements. To our musicians, without exception, my congratulations. Long live Morna! Morna is by far the most popular genre of Cape Verdean music, and it has produced an international superstar in Cesária Évora. It is mainly sung during religious festivals in the islands of Santo Antão, São Vicente, São Nicolau, Boa Vista and Brava. In the 80's, Orlando Pantera has created the "new batuco" (neo-batuku), but he died in 2001 before to achieve his creative work. Vieira’s career began by chance, when she accompanied a friend to a singing contest in Lisbon. All this to say that I have long celebrated Morna as World Heritage. ), This page was last edited on 23 October 2020, at 13:42. This song appeals to feelings, dealing with themes related to love, longing, suffering, contempt. It is a melodic, quadruple song, usually using classical minor tonal schemes. He made eight symphonies including the fourth symphony titled Buddha Dharma, the sixth relating to Monte Verde, São Vicente's tallest point. Her music provided the perfect soundtrack to enjoy the landscape and journey when I traveled around Praia on a visit in 2014. Funaná is an accordion-based genre from Santiago. Originally published at on December 9, 2019. She worked on the new album with Évora’s arranger, Toy Vieira, and you can detect the musical DNA connecting her to the late “barefoot diva.” Lucibela is perfectly poised to carry on Évora’s legacy with this debut album, but has declared, “Cesária is unique and there’ll never be another Cesária. This light Compas has become popular in Portuguese speaking countries of Africa, Brazil, and the rest of the world. I am amazed that this small archipelago off the coast of Senegal—discovered uninhabited by Portuguese navigators sailing down the west coast of Africa in 1460—could produce so many musicians and musical styles. Help support the DJs, journalists, and staff of the station you love. This time, I showcase two more rising stars who are making waves in Cape Verde, Lisbon, Paris, and here in the U.S.—Lucibela and Nancy Vieira. It is a musical expression whose practice makes no gender distinction.


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